
Today is the 80th birthday of Gustav Kraitz, whose ceramic sculptures I admire very much. Together with his wife Ulla he lives and works in a beautiful house and studio in Förslöv, in the south of Sweden. It’s difficult to tell who makes what in their artistic collaboration, so let’s just say I admire their joint work very much!

My parents first took me to visit the Kraitz’ place when I was about 12 years old and since then I’ve been coming back to marvel at the richness in colour and the smoothness and strength in shape of their ceramic pieces. The Kraitz’ has often participated in an open studio event called Konstrundan and that’s when I’ve been visiting.

The outdoor pieces are meant to become part of the environment and they are placed on the lawns outside the studio. It can be a large sphere in cobalt blue or a giant head of a horse in oxblood red. Sometimes the rain might have left a little puddle of water in a crevice of the ceramic piece. The images above are from an exhibition at Norrvikens Trädgårdar in 2003. If you look real close you can see the seals in the water…
Ulla and Gustav Kraitz fire in an 8 cubic metre large kiln, using an old Chinese firing technique. Each firing reaches 2,370 degrees Fahrenheit and take several days and some pieces need to be refired many times in order to reach the wanted effects. The kiln is fired with coal and wood, which creates ash and minerals that leave their trace in the surface of each piece.

Some of my favourite works are the tiny items. The piece above is called “Life” and it’s a series of beautifully made bodies in soft greys to matte charcoals.
In 1998 the Hope monument was unveiled outside the UN building in New York. It’s a tribute to Raoul Wallenberg. Here’s a detail:
I enjoyed reading this article from the Kraitz’ exhibition at San Angelo Museum of Fine Arts.